future sessions is proud to have two great producers such as g.marcell and myles serge both hailing from the midwest. now to the music and we have g.marcell “damaged earth ( you ) which flows with so much goodness and the chords and pads are the aesthetics to this amazing journey with its pounding kick and its deep bass most def one of favorites at the moment then we have g.marcell “ sea side “ with its think kick and its driving bass gives it that tripped out start then right into the deep pads and its movings synth’s which joins into this well thought out track strickley for the deep minded. then we have myles serge “ glass” which starts out very rough with its pounding kick and its melodic key’s right into a solid jacking gritty sound myles is know for. then last but not least we have myles serge “ shift “ this one is very raw with it’s techno clash drums and percussions and its jabbing synth’s and it’s invading pads a very latenight track for sure and its heavy laden detroit sound … we want to thank you at future sessions for allowing us to be he we are true music lovers and that is all much love to you …power to the people and god bless you

soul clap records new directions in funk is back with a double a-side 7” of that electronic funk to get you ridin. after selling out of 500 records of the first edition, round two is another 500 record limited run on purple vinyl.

following the widely acclaimed releases of fouk & kito jempere, our autumn release is nothing but a strictly family affair. kid grimm is indeed a brand new alias of our dear friend alland byallo, longtime collaborator of the label both for his production & awesome graphic works. with an impressive discography crossing over quality imprints such as third ear, bad animal, real tone or rawax, the san francisco born and berlin resident always got something exciting coming out of his machines.

jack murphy s debut 12inch on new label knowing something. having previously released records on frozen border sublabel reference and dont be afraid s special editions series, murphy now ventures out on his own with this first knowing something record. the record across its four tracks takes cues from a variety of places including mid-90s breaky techno, late 90s electro, and early 2000s ifach records.

french producer hugo lx returns with a new ep called “ascent” out on menace, 8 beautiful beats made with an incredible precision. hugo lx has been working in past with elzhi, large professor, homeboy sandman, oddisse, sadat x, the funk league, he is also known as a really good house producer, he proved that again with his recent releases on faces records, jazzy couscous or my love is underground. this release represent our first collaboration with the legendary fatbeats.

london based balearic-disco feelings expand their horizons with the birth of their new label feelings worldwide. following in the blueprint of their much loved parties, the label will see releases from some of the pioneers of the dance music paired alongside exciting new artists who ring true with the blueprint those pioneers created. for the first release feelings have enlisted iranian born, london-based producer kasra v, delivering an incredible slice of middle-eastern inspired house. on the a side is the early 90s inspired fantasy, a dance floor thumper with a tribal house feel you could imagine rolling out the speakers at a dreamscape party, followed by the dreamy pris providing a contrasting sunrise vibe to the prior track. on the flip is myth a steady piano-led builder inspired and written in the style of southern iranian tribal music, followed by a remix of the same track from legendary nyc producer cozmo d under his dream 2 science alias bringing a straighter dancefloor ready versioin with the heavy deep house flavours his d2s project is lauded for.

long celebrated as a hub for new producers to showcase their talents, cdr return to the releasing game in partnership with dimensions festival. up and coming house heads k15 and fyi chris reportedly invited lismore and ben houghton to take part in this collaborative release, resulting in four tracks that wouldn t sound out of place soundtracking a balmy afternoon dance on the adriatic sea. oozing quality and soul throughout, there s a distinctly laid back flavour to the house on offer across this release, although fyi chris add a touch more bite with their grubby lo-fi synth lines on -sugar-.

are there any aliens out there? (probably!) what would they think of the human race? do the people in power really care about us? what would they think of mass corruption from corporate companies and governments?..... but hold on a minute, are we decent to our own partners, families, neighbours, people in need of the essentials and those we work with? do the police, authorities, prisons, care homes and detention centres look after the vulnerable in the correct way? yo aliens!!!!!! you are probably more advanced than us as a race so you ve probably worked out ways of stopping inequalty, slavery, famine, war and other general shite. if so, get your self down here right now and show us the way!!!!!!

we are proud to present souki for our third pfand release. third time is always a charm and this time, we bring our longtime close friend and collaborator souki with her stellar release hot jupiter. the outofthisworld title track, cowritten by the hubrist, features an eerie extraterrestial backdrop captured from the deep space array by nasa. also on this release is an upbeat remix by yapacc + hali under the cabin. the b side is packed with two stunning minimal tracks entitled chicxulup and korona, both contending title tracks on their own. and rounding out the release is the beautiful, atmosphereic track entitled etna which serves as a fitting way to close out this gorgeous ep.

support by: laurent garnier, pearson sound, noizar, umwelt, simo cell
following his stunning everything is nothing ep, which kicked off the hubble telescope series for solar one music in 2015, luxus varta (aka emeric di paolo) is back with a new four track ep for french label, intramuros. ‘rosenhan experiment’ (named after david rosenhan’s famous study to determine the validity of psychiatric diagnosis, published in 1973 under the title “on being sane in insane places”) takes us on another electro trip into the human mind with paris the black fu from detroit grand pubahs once again making an appearance, on the track ‘losquato’. the ep opens with the wonderfully shimmering ‘wenn’ before luxus varta makes striking use of his background as a drummer on ‘lizzy’. ‘losquato’ is a playful addition with stripped back rhythms under paris’ story telling that bemoans a man’s work frustrations and resulting mental state (“i gave up therapy about a month ago. my therapist jumped out of a window”), while closer ‘tempsun’ is almost melancholy in its measured minimalism. recommended for lovers of drexciya and dopplereffekt.

new label nagual drift launches with a proper storming v/a, featuring cuts from coastdream, raär, tv.out, newcomer kanyalang and stert. this one shifts from dreamy house to heavy percussive power and back round again.

second tape from upcoming french label ville nouvelle. this one s packed with sunny melancholic vibes straight from the spanish coastline. untitled on the a side and muy mola on the b side. comes in super lush pink cassette with blissed out artwork.

the seventh release in this series opens up with dr. shingo’s remix of “malaria” on the a-side - a beautifully crafted downtempo version which skilfully dissolves the techno spirit of the original in crystal-clear electronic soul music with an epic build up. staffan linzatti’s remix of “spiegelkerker” on a2 is a futuristic and minimal interpretation of the original, with a sturdy drum pattern, topped with an alluring blend of bleeps and spaced- out synth tones.the b-side kicks off with stanislav tolkachev’s remix of “the future is on fire pt. 1” - a raw and sinister industrial monster with a bold noize overload.b2 is a remastered version of the classic club hit “the future is on fire pt. 1” by the mastermind christian morgenstern himself.

arts is back with a classy debut, this is gëinst, a very young artist coming from france. his music is unique, literally one of a kind. we are happy to present uchronie ep. when people don’t express themselves, they die one piece at a time, don’t forget it.

modern obscure music kick off their new sub label, altre with a super limited 7” from continent & cont ext. proper experimental electronics that take the listener on a journey through the stars and beyond. comes packaged in highly collectable fold out sleeve, complete with printed postcards.

opening things up, the sinister title track is a dense, winding affair built around staggered tribal patters and powered along with a brooding reese bassline. he/at’s “set openers” have become something he is known for and this is definitely one of his most dramatic. after that madness, “it’s impossible to describe the smell of a wet dog” strips things right down with subtly chaotic-timed rhythms and synth-work. kind of minimal...but not.
on the flip side, “a drama out of a crisis” is a straight-up new-meets-old techno stomper with early beltram-esq beats and modulated melodies, before the ep closes out with the rawness, “the man who made husbands jealous” is a tough acidic kind of work out with an infectious hook we think you’re going to like.

having lurked around murky corners of the grubby industrial techno realm for the past year or so, pavel milyakov builds on his rapidly swelling discography with this transmission for public system. it s the second release on the label following a strong opening salvo from dj spider and greypeople, and this 12- offers up further forthright club-wreckers that balance taut functionality with production flair. opening cut -strainn- delivers bludgeoning electro from the netherworld, which ekman then dutifully reworks with an added eerie tension. there are edgy arpeggios aplenty on -trance t- and warmer tones in -augusts 13-, rounding out an essential slab of serious techno tackle.

three tracks that contain references to san francisco 80 s hi-hrg synths, early house drum machine workouts, and melodic synth lines.. (incl remix from jason kendig). check!

production duo mark richards & james eliot aka solardo are the next to make their mark on hot creations with tribesme, delivering two heavy-duty cuts destined to stir serious heat in the club. already doing the rounds worldwide at the hands of some of the biggest names in the business, tribesmen and psycho girlfriend are built straight for the dancefloor around dense and heavy basslines, punchy percussion and prominent vocal slices. hailing from manchester, solardo are continuing the citys rich heritage in house music whilst carving out their own sound in the house and techno scene with releases on madtech, mta records and more recently of unsound mind. their string of successful releases has gained them an army of fans across the board from jamie jones to jackmaster. the pair also run a weekly radio show on rinse fm and are residents of the well known kaluki party as well as running their own successful event series, solardo sessions.

the legion of boogie down take their disco torch deeper into the depths of late night discos. restoring their energy with a muscle work out that will leave many a man and woman flexing their arms in time to the muscle groove. think supertramp meets hi nrg think jane fonda in the meat packing district with the foot patrol on each arm. the legion of boogie downs mission is to guide you out of a formulaic world of dance music and bring you well and truly back to a modern day disco dancing moment. long live the legion. flex your arms to the muscle groove.

more white label love on boogiefuturo, as always rolling fast off the shelves. two soul driven essential disco edits, this time hand crafted by fun bobby, offering up full blown ‘79 nostalgia, and all round good feelings as the summer months come to a close. a tasteful release for your record bag, cooly curated by the bf camp. ‘you get me hot’ (spring break edit) as the title so aptly suggests, jumps out as a notable dance floor classic with intended party purpose and a powerful vocal cut to match. super limited soul infused classics adding yet another notch to a growing list of white label fun. as ever, limited press on these - disco tip!

(gatefold 2lp) a new compilation series, record box #1 presents a prime selection of forgotten gems and timeless classics from the crates of tlp aka troubleman, soundtracking a 30-year career in nightlife and music. featuring tracks by mother freedom band, bill withers, teena marie, chronixx, the family stand and many others.

over the course of five galvanic, techno-esque slabs of sound fetnat delineates his vision, paying exquisite attention to detail in the almost imperceptible smithereens of vocal noise on tracks like kaoti and closing out the ep with a magnificent curve ball in the shape of the relentless rotel, a dazzling, synthetic drama of ebb and flow.

dark late night groovers by the odopt bad boys, straight out the kitchen of bar simachev. horrungruang is simply a killer track.

future times is back at you with more hot wax!! dc s own ov, who came correct with the opening cut on our vibe 3 compilation, shares this 12- with diego (also known as dude energy, suzanne kraft) and together they lift off into the atmosphere with two dope cuts. big tip! . ov s -perc song (chords)- sets a perfect, humid scene full of string licks and syncopated chunk, before it rinses the -(chords)- and cools way out, setting the scene for -crack- on the flip. diego s track climbs all the way up, cutting in slippery drums and arpeggios underneath the floating, soaked synths, before the end of the tune gives way to pure pad bliss.

kian t, a self-confessed analogue synth addict, steps up for the 6th secret reels release and with an ep on big bait already under his belt and one forthcoming on toy tonics, 2016 is looking like a vintage year for this italian producer. this ep is all about tough beats, warm & punchy synth lines and a few dusty vinyl samples thrown in for good measure. kian s production values are always on point, and these 3 tracks are no exception, instantly standing out from the crowd. on remix duties is man of the moment daniel leseman. his solo productions and remixes are firm favourites with a vast swathe of top djs. he is also one half of fouk, alongside junktion, who have absolutely taken over recently with releases on heist, razor-n-tape, house of disco and not to mention their own label outplay. daniel turns the tough syncopated beats of flughafen into a shimmering, funk-laden piece of house.

mmusic is a modern day music vinyl imprint, paying a 12- respect to quality productions, compiled together, for a must have vinyl record. we got the groove on for this bassline, rhythm packed collection, enjoy!
limited to 300 copies.

after releasing two albums independently (little armenia, saturday night at the magic lamp) as well as scoring music for the recent vice films release a girl walks home alone at night (produced by elijah wood), the next release from los angeles-based producer bei ru is l.a. zooo, his first instrumental beat concept record which incorporates everything from bugged-out middle eastern melodies from the 1970s to obscure electronic, funk, jazz & soul sounds. hypnotizing keyboards, pulsating bass lines, and infectious drums guide you through the l.a. zooo - a playful, yet ominous place where humans and animals coexist and weapons and armor are required for simple walks down the street.
pressing on transparent pink vinyl.

funk was the syncopated groove that emerged in the mid-sixties through hits from james brown and dyke and the blazers. it was a natural development out of rhythm and blues. thousands of local bands tried to emulate brown’s success, and in the process created a plethora of rare and sought after 45s and album cuts that have been mined by djs and producers to fill floors or provide breakbeats. whilst the 20 tracks on this compilation would cost you thousands of pounds to own on their original issue, that isn’t really the point. instead you get to listen to magnificent grooves such as mickey & the soul generations explosive ‘iron leg’, andrew brown’s blues tinged ‘you made me suffer’ or the message music of 24 carat black.
j&d records release three exceptional compilations that look at vintage african-american music through the prism of uk club culture. all night long, can you feel that beat and extra added soul will be available on double vinyl and are compiled by dj and award winning compiler dean rudland, with stunning artwork from his long-time collaborators the unknown. across the three volumes there are 60 tracks of soul, funk and boogie.

we re extremely pleased here at invisble inc hq to be releasing this amazing new album by veteran multi-instrumentalist and ethno-musicologist jon keliehor. originally from seattle and musically active since the 1960s jon started out playing drums and percussion in bands like the daily flash and bodine all the while becoming known as a venerable session and touring musician in his own right. not many people can claim to have played alongside jim morrison and james brown....but jon certainly has.

this is an official reissue of what am i gonna do for fun by the band pitch (1982 - new york city). this release also includes a fantastic remix or rework by tolouse low trax (toresch, salon des amateurs, düsseldorf). a few words from stuart shape, the producer: feels like it was done by another person. i remember getting the serge synthetiser to stay in tune was always a problem. we were fascinated with the new sampling that were just coming out, and kind of got carried away on the vocals. not sure what i was thinking about with the lyrics, guess maybe trying to figure out what i was supposed to be doing when i wasnt working or playing music unfortunately no other finished tracks from that era have survived. they recorded a lot, but finished and saved very little.

the argentinian based ngly had seemingly appeared out of thin air landing on the brooklyn based l.i.e.s. label in 2014 with an untitled four track white label ep. on this ep, the unsuspecting track -speechless tape- ended up becoming a cult hit with select djs in the scene (i-f, mick wills, intergalactic gary...) eventually leading to it being voted as intergalactic fm s #1 track of the year in 2014. on the heels of his successful debut rudolfo could have stayed the path and produced an easily digestable follow up dance record or two, instead he chose to take his time and reflect. sitting back in the studio tweaking his live act, recording endlessly, transforming and refining his sound.

following the excellently received dilation lp on film, the duo return to the berlin based imprint for a remix package featuring faltydl, grand optimist, djrum & portable sunsets. erol sarp & lukas vogels ingenious use of the grand piano has won them many plaudits over the years. working solely with the sounds of the grand piano and a set of 20 self-built hammers hitting the piano on different parts - filtered & warped in an extraordinary fashion, the pair craft dense, rousing music - kept fresh & current with nods to idm, ambient & techno. as such, the original recordings are fertile ground for remix opportunities, and the film label call on a whos who of left-field electronica to reimagine the work. nyc native faltydl takes on newtons cradle, flipping the original and turning in a stepping, psychedelic slice of half time proto-footwork while both phillip otterbach, operating under his grand optimist alias, and 2nd drops djrum offer tripping, ambient reinterpretations. 1080p s portable sunsets reimagines key lp cut neon as fuzzy beach house jam, reseting the original & eeking out a wholly different energy with driven drum machine hits & a soothing vox line.

with new wake up! ep further apart lerosa s mark of fluent, elemental and strong work offers increasingly deeper sulphuric and acid sounds. down reaching, complex grooves and rhythms give direction into solid moving tracks - where i want to dance. currently located in the emerald isle of ireland, you wonder if context gives form to lerosa s sound, a permanently sodden landscape offering the backdrop. weighty tracks such as terza persona seat layers of digital, organic beats, peals and stabs that contain the same sort of dark nourishment that staring at a black bog in connemara* might evoke. despite its wide, dark tones, lerosa s tracks always contain a dimension of upbeat empathic elements which make it so attractive, the kinda pelvic push and pull where you wish you had the foot work to pelt out some shapes. *connemara is a district in the west of ireland, the boundaries of which are not well defined

eighth release from the danish duo out now containing four brand new tracks. the opener, your sun belongs to me, is a 6 minute long socalled -deep house- track. on the inside you will find a slightly more -deep- version of your sun belongs to me. b1, moon & flute, on the flipside is a faster flute house slammer. word is bond rounds up the ep with a moody groover. you surely don’t wanna sleep out on this.

rhythm section look to poland once more for two of the most uplifting tracks of the year. earth trax (known for his productions as the phantom & one half of ptaki) and newcomer newborn junior pull two absolute classics out of the bag here that do what they say on the tin. both sax track and flute track centre around ecstatic midi melodies on (you guessed it) saxophone and flute! falling somewhere between the late night deep house excursions of ron trent (circa morning factory era) and more recent retro-leaning breakbeat driven output from the pender street steppers et al, the sax & flute ep is a masterclass in sustain-release. euphoria guaranteed - or your money back!

illusory house and techno from new york native image man, following up a release on crucial newcomer label sunal/perabob with another four-track 12” of windy, paradoxical tracks built from samples and drum machine. “glance” shifts further into a weirded out but druggily decadent realm where he’s found looping the reflections of disco, soul and ancient pop samples into his own spaced and primitive euphorias, starting out with the slowmo downbeat of “more” before the more apprehensive rhythms of “else” end up filtering out into a pool of a reverberant samples that echoes out the second half. from the image man himself: “we trust in the sound we take for granted—the music wouldn t lead us astray, would it? emotions can lead us astray, the wanting to feel, the wishing of forever lasting, the pleading for change, the expectation of ecstasy. just a quick glance in the mirror.”

were proud to bring you remixes of the 1996 classic track keith sibley - stand by me, originally produced by ron van zeist who s worked along side some of the garage greats like, masters of work & eddie perez, in this ep, we bring you all new remixes, which include crackazat, who kicks off with amazing deep trenched, rolling house track. up next is label boss marc cotterell with his classic cut along with some killer live organ by slikk tim, on the flip is awesome 90’s vibe from johan s and lastly we finish the ep with the original club mix that came out on the 1996 release.

following strong turns from kasra v last year, this love fever spin-off label returns to call upon al kassian to drop some electro-pop enchantment on unsuspecting ears. with just one recently released record to his name, al has positively encouraged the intrigue that emanates from artificial emotion. -roboluv- is a sublime slice of house balladry shot through with a curious line in wobbly electro synths, which then really come to the fore on slower b1 jam -default-. with the heavily vocodered vocals pealing out through the mix, it s quite an arresting end result that culminates with the wonderful curio -broken embraces-.

dutch producer casper von banniseht sidles over to bristol stable boogie cafe to present a three-track 12- of impeccable dusty house grooves imbued with that detroit-esque feeling that oozes out of a moodymann or theo parrish record. -bossa- revels in choppy broken beats and plenty of choice samples in a most loose and soulful of concoctions, while -lazy- cools down to a simmer with subtle disco licks making the most immersive of deep house jams. -lone- meanwhile plies a more chipper trade with its hooky chord stabs, but still the vibe remains smooth and laid back, just how the boogie cafe crew seem to like it.

d3 elements continues to mine the fertile soil of midwest inspired house, techno and electro with this fantastic new album from michael dykehouse (sometimes found turning out experimental fare on planet mu and ghostly). here the grooves are immediate and engaging across nine tracks, from the bubbly -meltdown morning- to the spooked-out -clock division-, touching on a range of styles all bound together by a commitment to classic drum machine beats and synthesiser tones. this is far from a throwback record though, instead celebrating dykehouse s innate musicality through all manner of tempos and moods and coming out as a well-rounded long player in the process.

limited edition vinyl features white scratch-off ink and a 25 cent piece cased in a plastic outer sleeve. each copy will be unique, as the quarter will move around the plastic sleeve in transit creating its own pattern. this is intentional, so any scratches that appear on the front cover when the vinyl arrives is a result of this. sirens is the highly anticipated second full-length lp from nicholas jaar, the chilean-born electronic music producer, mixing engineer and dj, which comes out on october 14, 2016 via other people/kobalt. a prolific artist with a wide palette of talents, jaar spent his teenage years in dance music circles in new york city, where he now resides. in 2011, he released his debut album, the critically-acclaimed space is only noise. in 2012, he was contributed to bbc radio 1’s prestigious ‘essential mix’ series, winning ‘essential mix of the year’. in 2013, matador released the debut album from darkside, jaar’s project with his friend dave harrington. the band toured the record with a giant, rotating circular mirror, with key performances at primavera sound and coachella. other notable projects by jaar include from scratch, a live concept first developed for moma ps1, pomegranates, an ambient record and alternate soundtrack to the armenian film the colour of pomegranates, and the original soundtrack for dheepan, a thriller by the french filmmaker jacque audiard about a family of sri lankan refugees living in the suburbs of paris. dheepan won the palme d’or at cannes in 2015. jaar is the founder of the new york based imprint other people, releasing music and spoken word by a diverse group of artists ranging from lydia lunch to ezekiel honig

opening cut acido setting the tone perfectly via murky broken rhythms and glitched out bass hits before the latter stages introduce a squelching 303 lead which tails out the rest of the record.what follows and takes a more robust approach rhythmically with a weighty kick drum, shuffling congas and choppy hats lying at the forefront while spiralling bass hits and vocal chops meander around them. opening the flip is nasty(or nylo if there is no way to fix name) which draws on an earth shattering sub bass lead, sparse percussive shots and a subtly bubbling synth stabs.lastly the package is closed with nylo(or koi if there is no way to fix name), an intricately programmed energy fuelled workout featuring reversed bass swells, jazz tinged rhodes melodies and crunchy distorted drums.

-the existence- is likely the most functional track we have yet heard from andre crom s recent series of solo ep s. a tight drum groove, a rolling, modulating acid bassline, eerie synth pads and a spaced out vocal create a mixture that s sure to fill any

parachute is proud and excited to release art rock unit starfuckers legendary sinistri lp, remastered and pressed on vinyl for the very first time since its original version in 1994 on underground records. formed in 1987, starfuckers is an italian avant-garde band primarily from the 1990s, considered a notable part of the experimental rock scene and one of the more out there acts during their active tenure. originally inspired by 80s post-stooges noise and new york city no wave, starfuckers eventually carved their path to their own distinctive sound by following in the footsteps of xenakis, john cage, maderna and stockhausen — all without ever abandoning their own attitude and raw personality. an incredibly important record for us here at the label, sinistri feels just as fresh in 2016 as it did in 1994.

more chicago house bizznizz from the original rockin house label...incl. a mike dunn version as well.... know whats up! ... ltd re:issue

the debut album from norman cook aka fatboy slim, originally released in 1996, back on double 12 inch.

spaced out minimal funk on sketches 2nd release. vinyl only. 300 copies.

for over five years, all day i dream has been where deep and emotive meet house music. propelled by a community of forward thinking artists drawn around the scion of master curator and sunset/sunrise set specialist, lee burridge. all day i dream formally welcomes lost desert to the label with the release of lingala, a two-track collaborative effort with burridge himself, that also features junior on vocals. lost desert was picked out of obscurity after burridge discovered his music while trekking in a remote area of a long lost land. a fast forged friendship inevitably lead to the studio, and lingala’s the enrapturing sophomore result. the duo’s first project together debuted on lee’s night time imprint, get weird, earlier this year to widespread support. lingala, is a beautifully composed ten-minute sonic journey. built around a mystical lead vocal sung by newcomer junior in his native linagles the raw emotion slowly builds in intensity over propulsive basslines and deep melodic grooves . gorje hewek & izhevski’s interpretation of lingala is a markedly different affair. focussing on musical layers rather than the vocal the duo’s signature spacey atmospheres and minimal rhythmic percussion add extra strings creating uplifting moments that contrast the original’s mood.